
I began my studies at Il Cantiere Teatrale and expanded my practice into Lecoq-inspired movement training, Commedia dell'Arte and mask theatre, mimodynamics and movement analysis, clown and bouffon, and somatic practice through the Feldenkrais Method®.
I also draw from years of martial arts and basic acrobatics, which shape my sense of rhythm, coordination, and physical intention: essential tools for any performer who works primarily through movement.
Today, I teach physical theatre and mask workshops internationally, helping artists refine their awareness, broaden their creative range, and build a confident, expressive relationship between body and stage. My goal is to support performers as they discover what moves them -- literally and creatively -- and to guide them toward a grounded, imaginative, and personally meaningful physical practice.